"'Bat Out of Hell' was rejected by dozens of record companies before the album was finally released by Cleveland International, a small label.... It received tepid, even hostile reviews at first."

"But through relentless touring and a 1978 appearance on NBC’s 'Saturday Night Live,' Meat Loaf found an audience, making 'Bat Out of Hell' an enormous, if unexpected hit.... Its signature tune, 'Paradise by the Dashboard Light'... was an ornate melodrama about a teenage make-out session... more than eight minutes long and [it] even contained a long segment narrated by Hall of Fame baseball player and broadcaster Phil Rizzuto, describing a batter rounding the bases and sliding into home. (Rizzuto said he didn’t realize his description was meant to be an elaborate sexual metaphor.) His musical secret, Meat Loaf said, was that he approached every song like an actor preparing for a role. 'I can’t sing unless there’s a character... Because I don’t sing. It’s almost like being schizophrenic — I don’t sing, the character sings.' Early in his career, the long-haired, 300-pound Meat Loaf was openly mocked by critics — and even by [his collaborator Jim] Steinman, who once called him 'a grotesque, bloated creature, who stalked the stage like an animal but acted as if he were a prince.'"

From WaPo's very lengthy obituary, "Meat Loaf, whose operatic rock anthems made him an unlikely pop star, dies at 74."

This wasn't my kind of music, but I can admire his work from afar. People loved him in "The Rocky Horror Show,” and he had a very interesting role in "Fight Club." 

 

And he's got a great Donald Trump connection — "Meat Loaf, should I run for President?" 

 

Later, "You look in my eyes: I am the last person in the fucking world you EVER want to fuck with":