"I will stand in this breach."

Said President Biden, in his speech yesterday. You can encounter the line in context at the end of my previous post. 

This post is to examine the idiom. What are we talking about when we say "stand in the breach"? I think of Shakespeare's "Once more unto the breach." It's about taking up a warlike frame of mind:

Once more unto the breach, dear friends, once more;
Or close the wall up with our English dead!
In peace there's nothing so becomes a man,
As modest stillness and humility;
But when the blast of war blows in our ears,
Then imitate the action of the tiger:
Stiffen the sinews, conjure up the blood...

So "the breach" is a broken open place in some fortifying wall, and the idea is to move through that space, into battle. If they don't move forward, the argument is that they will pile up dead until their bodies fill that space — close the wall up.

But that's about using the breach as an entry point into battle, not just standing there, which seems to be a poor military tactic.

From about the same time period, there is the King James Version of the Bible (1611), Psalm 106:23:

23 Therefore he said that he would destroy them, had not Moses his chosen stood before him in the breach, to turn away his wrath, lest he should destroy them.

There, "the breach" is the broken connection between God and human beings, and Moses was able to stand in that breach. To say "I will stand in this breach" — as Biden did — is to draw a parallel between yourself and Moses. Does Biden mean that the country is broken open with angry Trumpsters on one side and the rest of the people needing mediation that Biden, like Moses, can bring? It's a funny analogy, because not only is Biden a strange Moses, but because the nefarious insurrectionists are in the God position.

The Oxford English Dictionary has an entry for the phrase "to stand in the breach." One definition of "breach" is "The product of breaking... esp. 'A gap in a fortification made by a battery’ (Johnson). Hence to stand in the breach (often figurative)." The only example it gives of standing in the breach that Psalm (in the King James Version).

Searching a bit more, I see that there are some translations of the Bible that have the phrase "stand in the breach" in Ezekiel 22:30: "And I sought for a man among them who should build up the wall and stand in the breach before me for the land, that I should not destroy it, but I found none."

Trumpsters perk up at "a man among them who should build up the wall." 

That's as far as I'll go in this blog post. I have a problem with understanding "the breach" as a break in a wall, because I don't see the effectiveness of simply standing there. I think it ought to mean a division between groups of people and serving as a mediator.

The first artists called by name

Creatures on the shrine doors in the Egyptian pharoah Tutankhamun's tomb. Since they’re more-or-less contemporary with the Bible narrative, they probably provide a good idea of what the cherubim over the Mercy Seat were intended to look like.

I read four chapters of the Bible every day, and when I get to the end I just flip back and start again at the beginning. (This is hardly brilliant for exegesis, but it works for me.) Right now I’m at the end of Exodus, reading the story of the building of the Tabernacle.

Bezalel was named the chief artisan of the Tabernacle by God himself. Not only was Bezalel a skilled engraver in his own right, he was versatile enough to be put in charge of artisans and apprentices in all the other crafts. He had an assistant, Aholiab, who was described as a master of carpentry, weaving, and embroidery—a strange combination to modern readers.

According to Exodus, Bezalel was called by God to direct the construction of the Tent of Meeting and its sacred furniture, and to prepare the priests' garments and the oil and incense required for the service. That’s a pretty wide remit; it’s probably similar to running a major design house today.

Moses and Joshua In the Tabernacle, by James Tissot, c. 1896. Even the best painters seem to go haywire trying to interpret the instructions in Exodus. It's hard to see where Tissot got anything right.

The Bible is clear that both his remit and his talent came from God:  “I have endowed him with a divine spirit of skill, ability, and knowledge in every kind of craft.” (Ex. 31:3). The “divine spirit” mentioned is the Elohim Ruah, or the breath of God Himself.

This representation of the Ark of the Covenant was sculpted in the fourth century AD. From a synagogue in Capernaum.

There is great disagreement on the age of the Torah, but it’s clear that Moses was an historical figure and that Exodus records the origins of the Jews as a people. (How literally is a question for the reader to decide on his own.) That means that early in human history, an artist was elevated for his skill and his value to his civilization. I’m all for math, science and engineering, but next time you're thinking of discouraging a kid from pursuing a career in the arts, remember that some of us are called to be artists, and our contribution hasn’t been negligible.

Message me if you want information about next year’s Maine workshops. Information about this year's programs is available here.